[quote]Malevolence wrote:
LightsOutLuthor wrote:
A beat CAN annoy you - like if it’s in 9/16ths time - that’ll weird you out. But all these songs are 4/4th with very MINOR syncopation.
Meters are just pulses. How they feel has more to do with how you count them. In the case of 9/16, you would likely count it 3+3+3, which would make it feel similar to fast triplets. But even if you counted it in 3+4+2, it still wouldn’t feel all that weird because you’re still dealing with pulses that are easily divisible or could easily be written in 4/4 time(albeit with some notes going over the barline)
The stranger meters are the ones that are not easily divisible by 2 or 3. 5/4, 10/4, 11/8.
But even then, it still matters more how you count it, and there have been extensive musical traditions that revolve around 5s, 11s, 13s and 10s(which is often felt as a double time 5).
You can make 4/4 time feel incredibly awkward if you avoid defining a 1. Even more so if you avoid defining a 2,3,4. By use of anticipations, ties and syncopation.
Tempo makes a big impact in whether or not something will ‘feel’ awkward. In the above example of 9/16, let’s say, instead of 16ths you used half notes. so 9/2, and you played it at 50 bpm. Well, it would become very easy to lose track of where the pulse is at that point, regardless of how you counted it, it would quickly stop feeling like it even HAD a pulse.
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Dude, I’m a musician too…you’re preaching to the choir, no pun intended.
But PHYSIOLOGICALLY speaking anything that doesn’t tie nicely OUR pulses will ‘feel’ a little odd. And 9/16th was chosen because even though it’s a bunch of 3rds, that feels like a fast waltz and that’s hilarious to think it would even exist in modern hip hop or dance music.