Ok, so I give this album a 65% on first listen.
Master of Puppets/Justice being 99% and the Terrible Abyss being 0%. It’s a step in the right direction for sure, and it’s listenable, with more than a few downright enjoyable moments, and a couple moments of resurgent past glory.
Pros:
All Nightmare Long
SOLOS
a number of actual metal riffs appear in this album…finally.
All Nightmare Long
fast tempos return
angry chord progressions that (mostly) sound like chord progressions, not
masturbatory guitar-noodling hell.
All Nightmare Long. Finally, Thrash reappears full-blown! Holy God have I
been waiting for this moment to come. Great song.Reminds me of
Dyer’s Eve somehow, even though it’s not as good.
Particular Note: The solo to This Was Your Life. Too short, but reminds me
of parts of early Kirk’s work on Master of Puppets. Similar construction
and chromatic ideas. Master’s solos reached far greater heights, but
this album shows similar musical ideas re-emerging in Kirk’s work.
CONS:
THOSE FUCKING DRUMS!! GODDAMN TRASHCAN BANGING!
Ok, I exaggerate somewhat. Somewhat. Lar$ hasn’t been great…
well, ever. It still sounds like what Lar$ did on the Nameless Horror.
But at least I can listen to most of this album without wanting to slide
down a 75 foot long razor blade and pour lemon juice
in my wounds like I did on that abortion.
James’s voice. He has a number of weak moments. However, he’s getting
old, so I’m not pissed about it. He has very significant failings when he
tries to pseudo rap like he did for Aberration. However, he’s much
better overall, and several pretty good moments. Final Verdict: OK.
Song length. Sometimes it works, sometimes it doesn’t. Several times I felt
like they came up with a good plan for a song, but were milking the
concept dry, and should have cut it off a couple minutes earlier.
Production value. Better than the last two “efforts”, but not as great as it
should be. Hard to place exactly what my problem with it is. Tone is
one of them. THE TRASH CANS are another.