ok first some thanks, thanks for reading when I did not even train.
thanks people!!!
JImmyT!!! thanks man.
Give 63 a 'how you doing from me" glad you the crew and your family are well
at the new place…
Joe, replied in your thread- stretches for hams and groin for football,
one word.
Drefranco.
MJ Yes this happened to be a bit of a bad show but a decent gig- played with some friends.
Here is what can make a "good’ show,
the obvious.
Money. I do this for cash. Not art.
Being Paid quickly 60 days net is now pretty common with bigger gigs.
working with people who respect me, and don’t really abuse us/me.
If let alone most producers would work us 18 hours and scoff at meal breaks.
the less obvious
doing something out of the ordinary- either more technical or different enough to keep me into it.
working with a super talented DP or shooter will keep me hooked.
content- good content goes along long way.
Sesame street If it paid only a little more- I would still be there, best show to work on ever.
Ever.
working with friends etc
and I do get some satisfaction from busting my ass for someone whom appreciates it.
this show however lucrative- it became a solid week of 12 to 14 hour days-
is a talk show- with a minor celebrity formerly a super model.
you can do the math.
lastly I saw this article this is the shit.
barbel bulgarian splits.
on the list.
kmc