Really deep.
Understandable - I lean this way too
Kevin Moore was their original keyboardist and he left after āAwakeā (which is a great album imo). They had a guy Derek Shreidian or something in between Moore and Rudess who was meh but he was around for their Change of Seasons ep (thatās a great fuckin song man).
Iāve actually never given Malmsteen a listen ⦠not sure why
Not metal but a mastery of guitar for sure.
Heās got some good songs. I think he was popular because he was the first āshredderā. Most of them are just wanking off with a melodic minor scale with a couple of easy 3-4 note arpeggios with the same chords. I only listened to some of his songs because I was challenged by a friend to play Far Beyond the Sun. Itās not hard compared to anything by Dream Theater.
I donāt know if Iāve written this before, but I watched a clinic with John Myung long ago. The fucker is a violin virtuoso who just decided to take up the bass lol. Even he can out shred Malmsteen any day of the week.
No you werenāt! Itās a shame I find his writing style the equivalent of gnawing on cardboard, because he had extremely deep human insight.
But on the topic, there are several riffs I can play immediately, no matter how long Iāve been away from guitar, but only if I donāt try to remember them lol. Itās amazing really.
I still dig DT as one of my top 3, but I do miss Portnoy. Mangini is a phenomenal drummer and great addition though. Distance over Time has some just killer riffs.
You know what I do? I basically pretend the singer doesnāt exist .
James can sing but Iām just here for the virtuoso playing. I got into DT because of the super human skills and composition, not the lyrics.
Also true. He along with Vic Wooten have steel for fingers.
I always enjoy Yngwie for two things-- first, he was a āfounding fatherā of bringing classical composition to shred and the shred genre as a whole. Second, he is just too damn cheesy but he doesnāt know it lol.
His composition skills suck in comparison to his chops, but he was the first to bring it across the ocean so to speak.
Thing I love about Mastodon is that every album is different. That is a great track.
Iād like to dedicate this one to all the politicians out there (without derailing this thread).
Also, for anyone out there unfortunate enough to NOT know Unleash the Archers and ESPECIALLY Brittney Slayes⦠Youāre welcome. Go listen to their albums Apex and Abyss.
And anything live. Or for that matter anything she sings on.
No joke. I managed to catch Vic playing with Bela Fleck in a small, underground club. I couldnāt believe theyād come to my country, let alone play in a club like that. Apparently they were also paid peanuts. The other guys Iāve watched like Michael Angelo and Frank Gamble were brought in by Yamaha for clinics and had full auditoriums rented for them.
Back to Vic. Heās simply amazing. I couldnāt really follow along because I donāt know crap about jazz but his virtuosity has to be seen to be believed. Bela Fleck was unbelievable. In one song, he simultaneously detuned several strings to change the key on his banjo while playing and exchanging solos with Vic. Iād never seen anything like that before lol. The pub had free seating and there was no stage so I was sitting right in the front row 5 meters away from them and watching all this.
One thing I gotta say about Michael Angelo. He always looks so serious while heās playing but heās a fucking funny and animated dude when heās talking. Iām not really a fan of the āshredā genre so Iād never heard of him before that. A friend dragged me along because he got free tickets from one of his contacts at Yamaha. We were like, āThis guyās just like Wayne from Wayneās Worldā lol.
We managed to get a bootlegged VHS of his concert at Budokan and half the time we were laughing at all the funny faces he was making. Itās really hard to take him seriously while heās performing.
I saw them play the city market in Kansas City a number of years ago, and it was the same thing. Absolutely mind-blowing. They absolutely do not get enough credit outside the musician world. 100% the real deal.
Also, if you havenāt heard Wootenās āClassical Thumpā solo piece do yourself a favor and find it. Crazy.
You just ensured my enmity forever by getting to watch them from 15 feet away. I canāt believe how lucky you got! Did you kill someone to get that deal? Lol.
I never got into him. Heās fast but I donāt think he has songwriting skills. I am a fan of the shred genre, but itās got to have either composition skills (Petrucci, Holdsworth, Vai), melody (Satriani, Gambale, Gilbert in later years), experimental art (Shawn Lane, Holdsworth, Vai, Zappa), or other musicality to it. Shredding just to go fast is dumb.
But Michael Angelo does have a personality for sure.
I have. Itās crazy lol.
Honestly, I had no idea who Victor Wooten was at that time. I only knew who Bela Fleck was from hearing a couple of songs. A friend dragged me along.
Same here. I liked Frank Gambale. He was a little bit of a dick but I think heās one of the most underrated of them all. He claimed he invented some kind of fretboard with a slight 1 degree bend in the frets or something because normal fretboards cause the 1st E string to go out out tune on the higher notes or something but āyou normal guys canāt hear itā lol. I donāt know if thatās true or not but heās got some great songs for sure.
I think youāre talking about fanned frets and true temperament fretting. Gambale didnāt invent anything as the idea goes back a very long way but he may have been one of the first popular artists to play a guitar with them. Yamaha had a Gambale signature model in the 80s/90s with the first few frets curved for that purpose. It wasnāt fully fanned, and Iām not sure if he ever played a fully fanned fretboard before that or not. But I would say he was one of the very first artists to try to make them known.
I never knew about that lol. I canāt tell the difference anyway.